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On What Cannot Be Said
$125.00
| Quantity | Discount |
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| 5 + | $93.75 |
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Description
Apophasis has become a major topic in the humanities, particularly in philosophy, religion, and literature. This monumental two-volume anthology gathers together most of the important historical works on apophaticism and illustrates the diverse trajectories of apophatic discourse in ancient, modern, and postmodern times. William Franke provides a major introductory essay on apophaticism at the beginning of each volume, and shorter introductions to each anthology selection. The first volume, Classic Formulations, offers excerpts from Plato, Plotinus, Damascius, the Bible, Gregory of Nyssa, Augustine, Pseudo-Dionysius, Maimonides, Rumi, Thomas Aquinas, Marguerite Porete, Dante, Teresa of Ávila, John of the Cross, and more.
“Any writer worth his salt knows that what cannot be spoken is ultimately the thing worth speaking about; yet most often this humbling awareness is unsaid or covered up. There are some who have made it their business, however, to court failure and acknowledge defeat, to explore the impasse of words before silence. William Franke has created an anthology of such explorations, undertaken in poetry and prose, that stretches from Plato to the present. Whether the subject of discourse is All or Nothing does not matter: the struggle of speech to name the unnameable is the same. This ambitious two-volume undertaking demonstrates a preoccupation as old as Western civilization itself: the limits of language and the virtue of being at a loss for words. How long we have been raiding the Inarticulate!” —Peter S. Hawkins, Boston University
“Any writer worth his salt knows that what cannot be spoken is ultimately the thing worth speaking about; yet most often this humbling awareness is unsaid or covered up. There are some who have made it their business, however, to court failure and acknowledge defeat, to explore the impasse of words before silence. William Franke has created an anthology of such explorations, undertaken in poetry and prose, that stretches from Plato to the present. Whether the subject of discourse is All or Nothing does not matter: the struggle of speech to name the unnameable is the same. This ambitious two-volume undertaking demonstrates a preoccupation as old as Western civilization itself: the limits of language and the virtue of being at a loss for words. How long we have been raiding the Inarticulate!” —Peter S. Hawkins, Boston University
“Developments in critical theory during the past two decades have led to renewed interest in negative theology. Books like Languages of the Unsayable (1989), Negation and Theology (1992), Derrida and Negative Theology (1992), and The Otherness of God (1998) have signaled the resurgence of this ancient tradition. William Franke’s distinctive contribution is to provide the background and texts from which these recent developments have emerged.” —Mark Taylor, Williams College
"These two volumes successfully realize a massive project: to propose and delineate a new field of discourse that provides a fresh approach to Western thought as a whole. In short, William Franke demonstrates the centrality of apophaticism, ‘what cannot be said,’ to the Western tradition, from Plato (and before) to Derrida (and beyond). . . . The first volume covers the first ‘cycles’ of apophasis, as the Western tradition evolves, stretching from the commentary tradition of Plato’s Parmenides to Eckhart and his progenitors. . . . Franke’s work is nothing short of brilliant." —Religion and Literature
“One of the most important and original contributions to the discussion of apophasis in recent years. . . . Franke’s historical and disciplinary range, in light of his well-written and compelling essays, provides an illuminating insight into the pervasiveness of apophatic discourse. . . . Franke’s anthology is a resource which should not be ignored. Few others, maybe no others, provide the same clarity, coherence, and scope.” —Christianity and Literature
William Franke is associate professor of comparative literature and religious studies at Vanderbilt University. He is the author of Dante’s Interpretive Journey.
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| Dimensions | 1 × 6 × 9 in |
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