Hysterical

Description

Equal parts medical mystery, cultural criticism, and rallying cry, writer Elissa Bassist shares her journey to reclaim her authentic voice in a culture that doesn't listen to women.Between 2016 and 2018, Elissa Bassist saw over twenty medical professionals for a variety of mysterious ailments. Bassist had what millions of American women had: pain that didn’t make sense to doctors, a body that didn’t make sense to science, a psyche that didn’t make sense to mankind. But then an acupuncturist suggested some of her physical pain could be caged fury finding expression, and that treating her voice would treat the problem. It did.

Growing up, Bassist's family, boyfriends, school, work, and television had the same expectation for a woman’s voice: less is more. She was called dramatic and insane for speaking her mind; she was accused of overreacting and playing victim for having unexplained physical pain; she was ignored or rebuked like women throughout history for using her voice “inappropriately” by expressing sadness or suffering or anger or joy.  

Because of this, she said “yes” when she meant “no”; she didn’t tweet #MeToo; and she never spoke without fear of being "too emotional." So, she felt rage, but like a good woman, repressed it. In Hysterical, Bassist explains how girls and women internalize and perpetuate directives about their voice, making it hard to emote or “just speak up” and “burn down the patriarchy.” But her silence hurt more than anything she could ever say. Hysterical is a memoir of a voice lost and found, and a primer on new ways to think about a woman’s voice, where it’s being squashed and where it needs amplification. Bassist breaks her own silences and calls on others to do the same—to unmute their voice, listen to it above all others, and use it again without regret.

Elissa Bassist is the writer and editor of the “Funny Women” column on The Rumpus. As a founding contributor, she’s written cultural, feminist, and personal essays since the website launched in 2009. In 2012, she received an M.F.A in Creative Nonfiction from The New School, where she won the Chapbook Competition for an excerpt of HYSTERICAL. After co-editing Rumpus Women, an anthology featuring Cheryl Strayed, Camille Dungy, Marie Myung-Ok Lee, and more, she graduated from the Upright Citizens Brigade Theatre in improv and sketch writing. Currently, she teaches writing at The New School, Catapult, 92nd Street Y, Lighthouse Writers Workshop, Magnet Theater, and more. She lives in Los Angeles.

“I am dazzled and fascinated. The set-up is funny and smart ass-y…[Elissa] cut[s] right to the heart [and] delivered something intimate and vulnerable and unexpected and original and yet universal too.”—Cheryl Strayed “[Hysterical] is staggeringly good. I am speechless, which as a reader, is a rare thing for me. I really just have a bunch of blubbering accolades to shower on [Elissa]. This is one of the most intelligent, painful, ridiculous, awesome, relevant things I've ever read. I am impressed.”
 —Roxane Gay "One of the qualities I appreciated most about [Hysterical] is the way the author subtly and gracefully links her deeply personal life story to compelling questions about women’s sexuality, literature, history. We never notice her doing the connecting; the larger themes and analysis are seamlessly woven into the intimate story. She makes us think and care about not simply what happened to her, but about women’s bodies, our continued detachment from our own desire, our own complicity in the culture of sexual violence…This artful, moving work of creative nonfiction transcends the self, while keeping us rooted in the most intimate of stories.”
 —Danzy Senna, bestselling author of Caucasia and judge of the New School Chapbook Competition “This is great…so, so good. [Hysterical] is so needed.”—Kate Elizabeth Russell, New York Times bestselling author of My Dark Vanessa "[Hysterical] is gorgeous and made me cry. [Elissa] capture[s] a space that is really incredible, overwhelming, alluring, and vital. Both a foundational importance and impotence of language, the gross errors that occur between language and communication, and the sort of sickly sweet and vital want to mean and say, both at once. Beautiful work. It’s an odd thing, to continually throw your self away, or amplify it, add to it, remove. We're often without much persona; we crib from what we’re given to say. It takes a lot of work to stay well-adjusted."
 —Ken Baumann, actor in The Secret Life of the American Teenager and author of Solip “I LOVE LOVE LOVE LOVE LOVE [Elissa's] writing. That was five loves….[Q]uite a special, strong, funny voice."—Joey Soloway, creator/writer/director/Emmy-award winner of Transparent “Elissa is too good for most anybody.”—Bill Murray hijacking Elissa's Tinder (no joke)