Everything Here Is Beautiful

Description

‟A tender but unflinching portrayal of the bond between two sisters.” —Celeste Ng, New York Times bestselling author of Little Fires Everywhere

“There’s not a false note to be found, and everywhere there are nuggets to savor. Why did it have to end?” —O Magazine

“A bold debut. . . Lee sensitively relays experiences of immigration and mental illness . . . a distinct literary voice.” —Entertainment Weekly

“Extraordinary . . . If you love anyone at all, this book is going to get you.” —USA Today

A dazzling novel of two sisters and their emotional journey through love, loyalty, and heartbreak

Two Chinese-American sisters—Miranda, the older, responsible one, always her younger sister’s protector; Lucia, the headstrong, unpredictable one, whose impulses are huge and, often, life changing. When Lucia starts hearing voices, it is Miranda who must find a way to reach her sister. Lucia impetuously plows ahead, but the bitter constant is that she is, in fact, mentally ill. Lucia lives life on a grand scale, until, inevitably, she crashes to earth.
 
Miranda leaves her own self-contained life in Switzerland to rescue her sister again—but only Lucia can decide whether she wants to be saved. The bonds of sisterly devotion stretch across oceans—but what does it take to break them?
 
Everything Here Is Beautiful is, at its heart, an immigrant story, and a young woman’s quest to find fulfillment and a life unconstrained by her illness. But it’s also an unforgettable, gut-wrenching story of the sacrifices we make to truly love someone—and when loyalty to one’s self must prevail over all.“There’s not a false note to be found, and everywhere there are nuggets to savor. Why did it have to end?” —O Magazine

“A bold debut . . . Lee sensitively relays experiences of immigration and mental illness . . . a distinct literary voice.” —Entertainment Weekly

“Extraordinary . . . If you love anyone at all, this book is going to get you.” —USA Today

“Lee’s debut novel is a profoundly relatable drama about how far you would, or should, go for family.” —Marie Claire

“Mira T. Lee’s Everything Here is Beautiful is a deeply moving story about mental illness, family loyalty, immigration, and cultural displacement. It made me laugh out loud, cry out in frustration, and marvel at the gorgeous, lyrical prose. I can’t recommend it highly enough.” 
—Angie Kim, author of Miracle Creek for Literary Hub, “26 Books From the Last Decade That If You Haven’t Read—You Should!”

“Sisterly ties take on brilliant nuance in Mira T. Lee’s shattering debut about love, loss, psychosis, and what we owe ourselves and the family we love. . . beautifully written.” —The Boston Globe

“This exquisite book is one that will hurtle past all your expectations.” —Bustle

“Deftly dealing with big issues such as mental illness and immigration, this debut is a powerful look at love and family.” —PopSugar

“[A] gorgeous yet heartbreaking debut.” —Real Simple

“True to its title, everything about this book is beautiful. Lee’s writing is magnificent—from her descriptions of love, family, and motherhood to her stunning portrayal of mental illness. It is the bond between sisters, however, that is the true gem of this story.” —Literary Hub

“Lee’s prose is economical, sharp, and piercing. But the reason I enjoyed this smarting book is for its sixth sense in portraying the bond between two sisters who are nothing like one another, and how that disparity can transition into distance. . . Lee has managed to write a book that feels wholly alive.” —KQED

“Everything Here Is Beautiful is filled with unexpected, fragile moments of beauty.” —Shelf Awareness

“[A] powerfully hopeful novel with characters that will stay with readers for a long time.” —Bust

“[An] exciting debut about two sisters . . . the unpredictable changes of their lives, and the necessary sacrifices and important gifts that sisterhood brings.” —Southern Living

“[A] promising debut. . . . Lee handles a sensitive subject with empathy and courage. Readers will find much to admire and ponder throughout, and Lucy’s section reveals Lee as a writer of considerable talent and power.” —Publishers Weekly

“An incredibly moving and thoughtful exploration of mental illness and its toll on family and loved ones [told] with empathy and tenderness.” —Buzzfeed

“A truly stunning and emotional debut.” —HelloGiggles

“[An] impressive debut . . . Everything Here Is Beautiful  finds the sweet spot between the truth and beauty of a disease that can inspire hope in the midst of sadness and frustration.” —Seattle Times

“An evocative and beautifully written debut.” —Kirkus Reviews

“Astonishing and imaginative. . . . This electrifiying first novel is wistful, wise and utterly unforgettable.” —BookPage

“This debut novel is . . . the best kind of drama.” —Newsday

“Impressive.” —Seattle Times

“A powerful read about sacrifice and love.” —Paste

“[A] tender, beautifully written novel.” —Washington Independent Review of Books

“Intelligent, thought-provoking and moving—I loved it. I felt quite bereft on reading its final pages.” —Paula Hawkins, #1 New York Times bestselling author of The Girl on the Train

“Everything Here Is Beautiful is a tender but unflinching portrayal of the bond between two sisters–one that’s frayed by mental illness and stretched across continents, yet still endures. With ventriloquistic skill, Mira T. Lee explores the heartache of loving someone deeply troubled and the unbearable tightrope-walk between holding on and letting go.” —Celeste Ng, New York Times bestselling author of Little Fires Everywhere and Everything I Never Told You

“Stunning and unforgettable. . . filled with voices that resonate and haunt. An intimately personal tale about family, self, and the risks we take to care for the ones we love.” —Ruth Ozeki, New York Times bestselling author of A Tale for the Time Being

“Mira T. Lee deeply understands the human need for belonging, and in her compassionate debut, she presents an aching yet hopeful story of characters striving to belong despite vast impediments, and the emotional costs incurred in this quest for a love-filled life.” —Imbolo Mbue, author of the PEN/Faulkner award-winning Behold the Dreamers

“A heartfelt story about sisters, family bonds, immigration, love, and an unvarnished look at how mental illnesses impact the lives of the person living with them and those who love and try to understand. . . In Mira T. Lee, mental health has found a new novelist champion.” —Pete Earley, New York Times bestselling author of Crazy: A Father’s Search Through America’s Mental Health Madness

“A luminous testament of loss and reclamation and the painful necessity of love. . .” —Ron Powers, New York Times bestselling author of No One Cares About Crazy People: The Chaos and Heartbreak of Mental Health in America

“This heart-wrenching, delicately drawn novel is filled with family love, passion, pain and forgiveness. Mira T. Lee spins a story spanning oceans that draws us ever closer to her characters’ generous, flawed hearts. Powerful and unforgettable.” —Jean Kwok, New York Times bestselling author of Mambo in Chinatown

“This book took my breath away. Lee has an incredible gift for empathy–I found myself rooting for, and caring deeply about, all of characters, even when they couldn’t stand each other. I especially commend her nuanced, compassionate depiction of mental illness and how it impacts families. Everything Here Is Beautiful is an insightful, generous celebration of our capacity and complexity as human beings.” —Mark Lukach, internationally bestselling author of My Lovely Wife in the Psych Ward

“Everything about this book is beautiful. It’s a sisters story, an immigrant story, and, more than a story of one family, it’s an unflinching reflection of the fast-changing American Family.” —Ron Fournier, New York Times bestselling author Love That Boy

“Everything Here is Beautiful vividly captures the kaleidoscope of emotional contradictions within our bonds to family and country. Mira T. Lee’s powerful debut crafts an elegiac journey: uplifting, disturbing, and–proving its title–beautiful.” —Matthew Pearl, New York Times bestselling author of The Last Bookaneer 
 
“Mira Lee has crafted an eloquent, vivid story not just of mental illness, but of passionate longing and family love in which there are no perfect choices but always a pulsing light of hope.” —Lucy Ferriss, bestselling author of A Sister to Honor
 
“I was steadily drawn into this beautifully-written story of enduring love and family, however family is defined. Mira T. Lee’s characters are captivating and very real, illustrating how intractable mental illness marks everyone in its sphere and renders the quotidian both beautiful and threatening. A compelling read.” —Daphne Kalotay, bestselling author of Sight Reading
 
“Charismatic and electrifying. Lee makes vivid the messiness of life and the way we tie ourselves in knots just trying to do the simplest things: love and be loved in return. A knockout.” —Rufi Thorpe, author of Dear Fang, With LoveMira T. Lee’s work has been published in numerous quarterlies and reviews, including The Missouri Review, The Southern Review, Harvard Review, and Triquarterly. She was awarded an Artist’s Fellowship by the Massachusetts Cultural Council in 2012, and has twice received special mention for the Pushcart Prize. She is a graduate of Stanford University, and currently lives with her husband and two children in Cambridge, Massachusetts. This is her debut novel.***This excerpt is from an advance uncorrected copy proof***

Copyright © 2018 Mira T. Lee

Prologue

 

A summer day in New Jersey. A house with a yard. The younger one, four, likes to fold her body over the seat of her swing, observe the world from upside down. She circles her feet, twists the pair of steel ropes until they’re all the way wound. She kicks up her legs. The swing spins. She likes the sensation of dizziness.

The older one, eleven, in the kitchen, chops ginger and scallions, puts on the rice. Sets out a small plate of pickled radishes.

It is early morning. Their mother is still asleep. On Mondays and Thursdays she attends night classes at the local college. On Fridays she works at the accounting office until late. “One more year,” she has said, though she has promised this before. She has come a long way since her husband died and she was forced to come alone to America. The mother will soon sit for another actuarial exam. “An excellent profession,” she tells the girls with pride. They know only that it involves a lot of math.

The older one sits at the kitchen table. Opens her tin pan of watercolors, paints with quick, smooth strokes. She will try a still life today, that bowl of peaches, or a vase of Shasta daisies fresh-picked from the garden. She likes the feeling of focus. When the rest of the world falls away.

“Jie! Come look!” her sister calls from outside.

The older one doesn’t look up.

“Come here, I found something!”

She sets down her brush, heads out to the yard. The screen door slams shut behind her.

“Can you see it, Jie? There.”

In the corner, by the fence. Wet grass tickles her feet. The younger one points to something in the low branches of the dogwood tree.

“It’s a spider web, Mei-mei. See how its threads stretch from this branch to that one?”

It is their first summer in New Jersey. Their first house with a yard. Before, they lived in Third Uncle’s basement, in Tennessee.

The younger one’s eyes, wide.

“Don’t worry, Mei. You don’t have to be scared. Spiders won’t hurt you. They catch flies and mosquitoes and all kinds of other insects. See the web? The spider spins it with a silk from its body. It’s sticky. The bug gets caught in those strands and the spider eats it. It sucks out the blood.”

The younger one nods, ponders this information. The older one turns to go back inside.

“ But . . .”

The older one, impatient, though she isn’t sure why. “What, Mei?”

Her sister is pointing to the web again. It shimmers in the sun.

Catches the morning light.

“Look, Jie. See? It’s beautiful.”

 

Part One

Miranda

Lucia said she was going to marry a one-armed Russian Jew. It came as a shock, this news, as I had met him only once before, briefly, when I was in town for a meeting with a pair of squat but handsome attorneys. His name was Yonah. He owned a health food store in the East Village, down the street from a tattoo parlor, across from City Video, next door to a Polish diner, beneath three floors of apartments that Lucia said he rented out to the yuppies who would soon take over the neighborhood. He had offered me tea, and I took peppermint green, and he scurried around, mashing Swiss chard and kale in a loud, industrial blender, barking orders to his nephews, or maybe they were second or third cousins (I never knew, there were so many), because they were sluggish in their work of unloading organic produce off the delivery trucks. He yelled often. I thought, This Yonah is quite a rough man.

He dusted the wine, mopped the floor, restocked packages of dried figs and goji berries and ginseng snacks on the shelves. He was industrious, I could see, intent on making his fortune as immigrants do. Lucia said he played chess. I’d never known my sister to play chess, though she was always excellent at puzzles as a child. Yonah didn’t seem to me the kind to play chess either, nor to drink sulfite-free organic wine or eat goji berries. But as they say, love is strange. And I wouldn’t begrudge my sister love, nor any stranger, not even one who smoked, and was the kind of man who looked disheveled even fresh after a shower, and would leave his camo briefs lying around on the bathroom floor. I admit I was disturbed, creeped out, by his prosthetic arm, which he wore sometimes, though more often I’d find it sitting by itself in a chair.

 

Lucia brought him to visit our mother, who was dying. Our mother was tilted back in a green suede recliner, wrapped in cotton blankets, watching the Three Tenors video we’d given her the previous year. She took a long look at this man—his workingman’s shoulders, his dark-stubbled jaw, his wide, flat nose. Her Yoni had the essence of a duck, Lucia said (endearingly), or maybe a platypus, though she’d never seen one up close. My sister liked to discern people’s animal and vegetable essences. In fact, she was usually right.

Our mother winced as her gaze settled upon his left arm, a pale, peachy shade that did not match the rest of him. “What happened to your arm?” she said.

“An accident, when I was twenty-one.” He said it quietly, but without any shame.

“In Soviet Union?”

“In Israel. I moved there when I was teenager.”

“You are divorced,” she said, and I tried to read his thoughts in the fluttering of his blue-gray eyes. I wondered if Lucia had warned him that our mother was like that. I wondered what had been shared, what omitted, when the two of them exchanged stories over chess, over wine. I wished to say to this man: Do you really think you now know our Lucia?

“Thirteen years,” he said. “I have been divorced for thirteen years.” Our mother winced again, though it could’ve been from the pain shooting through her bowels, or her bones, or her chest.

“You are Jewish,” she said. “Jewish are so aggressive. You have children?”

“Two,” he said. “They are with their mother, in Israel.”

At the mention of the other woman, our mother spat. Once, I suppose, she would have wanted to know more, like what did he do, or how old were the children, or what were their names, or did they play musical instruments, and we might have told him that Lucia could recite twenty Chinese poems by the time she was three, or that she was a real talent on the violin, or that she’d suffered a terrible bout of meningitis at age six and nearly died.

“Why are you divorced?” she asked.

“We were married too young,” he said. The skin of his face seemed to hang off his cheekbones. A basset hound, I later said to Lucia.

“This is life,” he said to our mother.

She did not seem quite satisfied with this answer, though she nodded, expelled a heavy sigh. “Take care of my daughter,” she said.

But she was not looking at him. She was looking at me.

She fell asleep. Two weeks later, she was gone.

 

“Three piles,” said Lucia. “Everything in three piles.”

Keep. Salvation Army. Trash.

This was our strategy, tasked as we were with selling the house in New Jersey, as specified by our mother’s will (our childhood home, marred by death, now considered “inauspicious”). So we sorted CorningWare and gas bills and soy sauce and ice trays and Cabbage Patch dolls and garden hoses and yarn and frying pans and Maurice Sendak books and twin bed sheet sets with faded Raggedy Ann and Andy pillowcases. Keep. Trash. Keep. Keep. Salvation Army. Trash. And when we reached Ma’s bedroom, a hallowed hush, as if to acknowledge the finality in this sacred act of disturbance on which we now embarked. The desk where she’d worked, pencil in hand; the throw pillows Lucia sewed one year in home economics class; the portable radio; the clock; her Reader’s Digests; the bed where she’d lain tethered to her morphine drip, eyes closed, silent, body slack at last.

“Fashion show?” whispered Lucia.

“ Well . . .” Why not?

We peered in the closet, the one we’d raided often as impish children. We picked out two vintage cotton sundresses, one with chevron stripes, the other, zigzags. “Twirl!” said Lucia. “You,” I said, and in unison, our skirts puffed out like upside-down tulips.

We burst into tears. Twelve cycles of chemotherapy, three surgeries, three courses of radiation, two clinical trials, three remissions, four recurrences, over nine grueling  years—yet the permanence of Ma’s absence still came as a shock.

We worked until late. At two in the morning, we decided to bake. We blasted Abba and Blondie and the Rolling Stones, broke out in song as flour and sugar flew everywhere. “Almonds!” said Lucia. “We need almonds!” Chinese almond cookies were Ma’s favorite, so we set down our spatulas, drove to the twenty-four-hour pharmacy to shop for nuts.

We’ll be roommates someday in an old folks’ home! We’ll be cranky and play bridge and complain to the nurses about our hemorrhoids. Ha ha, when you’re eighty I’ll only be seventy-three!

No doubt the grief made us giddy. The late hour. The fatigue. But it was like that, to be with Lucia.

We fell asleep in the family room, the house buttery warm, the waffle-weave of sofa cushions imprinted on our cheeks. And then morning came. And with it came Yonah, roaring up the driveway in a giant rental truck.

 

They married quickly, in City Hall. Lucia wore a sparkly tank top with pink bicycle pants, silver hoop earrings. She beamed, like a bride. Yonah wore his best khakis, a wrinkled white shirt, a bright red tie. I thought, this is who my sister is marrying: a man the shade of gravy, with a missing limb and a spaghetti-sauce-colored tie. I’d never expected my sister to marry a more conventional man, or a Chinese man, or a highly educated man with a spotless résumé. Lucia had dated a Greek boy in high school, chosen NYU over Cornell, rejected math and sciences for English, all to our mother’s dismay. And while her college dormmates had busied themselves with one incestuous hookup after the next, Lucia met a soft-spoken drummer who lived with four other musicians in Tribeca, ditched her violin for electric bass. She found her wanderlust, too, forgoing the air-conditioned offices and suits our mother and I were both familiar with to teach English in Ecuador, tutor in Brazil, volunteer at an orphanage in Bolivia. In her early twenties, she worked as a travel writer in Latin America for a small start-up firm, before returning to study journalism. She wrote feature articles now for a newspaper in  Queens—the next best thing, I suppose, as there she was friendly with halal butchers, Egyptian barbers, Salvadoran cooks and the old Chinese grocers who sold dog penises and exotic mushrooms for six hundred dollars a pound.

Still, I had not imagined this.

Yonah beamed, like a groom. He beamed with the whole of his wide, duck face and his wiry brows and his small, sticking-out ears. “Take picture now!” he barked, and I followed him through the rectangular window of my camera, trying to see what Lucia could see, and yes, he was rugged, fit, masculine. Attractive, one could say. I’d never thought of Lucia marrying before me— after all, she was younger by seven years. My mei-mei.

They had signed prenuptial agreements, at my insistence. I did not think Yonah was marrying for our mother’s money (not a fortune, but far from meager), nor for Lucia’s American citizenship, but I felt my concern was reasonable. “Take more picture!” he said. I did not like how often he spoke in imperatives, though I understood that English was not his native tongue. We had that in common. I did try to like him, I did.

After the two-minute ceremony, he hugged me fiercely, strong as a bear. “Sister!” he said. “Achoti! Hermana! Sestra! Belle soeur!”

“Jie,” said Lucia.

“J-yeah!” he said in a remarkably accurate third tone. He laughed from his belly. I liked that about him. Then he scooped up Lucia with his good arm and carried her down seven flights of stairs, out to the plaza where spring blossoms danced and songbirds chirped and a rainbow might have appropriately appeared. He spun her around and around and Lucia shrieked with delight, her arms outstretched, head thrown back, bobbed hair and sharp chin shining in rays of new sun. “My wife, she is beauuuu-ti-ful,” he sang, and Lucia’s eyes shone with such clarity that even my most shrouded worries burned off like a morning fog. They were in love. Our mother, I was sure, could know this safely, from wherever that place is where the dead view the living.

US

Additional information

Dimensions	0.8300 × 5.4800 × 8.1900 in
Imprint	Penguin Books
ISBN-13	09780735221970
ISBN-10	0735221979
Author	Mira T. Lee
Audience	General / adult
BISAC	FIC019000, FIC054000
Subjects	books for women, love story, family drama, gifts for women, mental illness, sisterhood, Immigrants, mental health books, ecuador, crazy, literary fiction, hospital, book club, book club recommendations, bipolar disorder, american dream, gifts for her, madness, FIC054000, hallucination, fiction books, women gifts, first rate madness, Secrets, immigration, baby, mental health, relationship, relationships, family, emotional, bipolar, motherhood, fiction, women, FIC019000, community, identity, Sisters, novels, illness, sister, asian, New York, women's fiction
Format	General Trade