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As the Crow Flies
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“It’s the scenery—and the big guy standing in front of the scenery—that keeps us coming back to Craig Johnson’s lean and leathery mysteries.”
—The New York Times Book Review
The eighth Longmire novel from the New York Times bestselling author Land of Wolves
Embarking on his eighth adventure, Wyoming Sheriff Walt Longmire doesn’t have time for cowboys and criminals. His daughter, Cady, is getting married in two weeks, and the wedding locale arrangements have just gone up in smoke signals. Fearing Cady’s wrath, Walt and his old friend Henry Standing Bear set out for the Cheyenne Reservation to find a new site for the nuptials. But their expedition ends in horror as they witness a young Crow woman plummeting from Painted Warrior’s majestic cliffs. Is it a suicide, or something more sinister? It’s not Walt’s turf, but he’s coerced into the investigation by Lolo Long, the beautiful new tribal police chief.
“Walt continues to be excellent company because he’s always keen to learn something from the strong Indian characters in this series…This time a wizened old medicine woman takes Walt in hand, guiding him through a Native American Church peyote ceremony deep in the woods…he [has] a vision that expands his mind and helps him solve the case.”—Marilyn Stasio, The New York Times Book Review
“A top-notch tale of complex emotions and misguided treachery… Crow is a superb novel steeped in the culture of the American West.”—USA Today
“The pleasure of the series rests in Walt’s narration, with its laid-back, observant, bemused recounting of events…Solid landscapes, a mélange of fully fleshed characters (familiar and new), drily laconic dialogue and assorted power struggles—including Walt’s endless war with Rezdawg, Henry’s recalcitrant, falling-apart truck—keep the latest in this rich and satisfying series on engaging course.”—Houston Chronicle
“Walt’s voice lets readers in on his gentle and wry nature, while showcasing his devotion to bringing bad guys or gals to justice…Johnson enriches his narrative by using the setting itself as another well-developed character. Johnson’s Northern Cheyenne characters defy stereotype with self-depreciating humor and strength. Chief Lolo Long and Tribal Chief Lonnie Little Bird are especially well-crafted and appealing.”—The Denver Post
“Johnson expertly highlights his conflicted hero’s dual role as father and sheriff in this deeply satisfying installment.”—Publisher’s Weekly (starred review)
“All the elements his fans love are present: lively characters, easy banter, and, of course, a touch of the supernatural. In early books, Walt was less sure of himself, but, in his eighth adventure, it makes sense that he’s now the one “giving sheriff lessons.” This book fits the hand like a well-worn glove.”—Booklist
Craig Johnson is the New York Times bestselling author of the Longmire mysteries, the basis for the hit Netflix original series Longmire. He is the recipient of the Western Writers of America Spur Award for fiction, the Mountains and Plains Booksellers Award for fiction, the Nouvel Observateur Prix du Roman Noir, and the Prix SNCF du Polar. His novella Spirit of Steamboat was the first One Book Wyoming selection. He lives in Ucross, Wyoming, population twenty-five.
INTRODUCTION
Sheriff Walt Longmire would rather face down a criminal than deliver bad news to his only daughter, Cady. With her wedding only two weeks away, the Wyoming Sheriff is unhappy to discover that the Cheyenne Reservation has bumped Cady from her chosen nuptials site. But while Walt scrambles to find an alternative, the call of justice—not to mention an ornery tribal police chief—draws him away from wedding planning and into a very ugly investigation.
Upon learning that Crazy Head Springs is no longer available for Cady’s wedding, Walt’s best friend, Henry Standing Bear, suggests Painted Warrior as an alternative. As the pair contemplates the location’s majestic cliffs, someone falls from the summit, and they hear “the liquid thump of the body striking the ground” (p. 21). Walt and Henry rush to the scene but, within minutes, the young woman who fell is dead and Lolo Long—the reservation’s beautiful but prickly new police chief and Iraq war veteran—has shanghaied Walt into helping with the investigation. Walt is unsure whether the young woman’s death was an accident, a suicide, or a homicide. But Lolo is certain that the young woman, Audrey Plain Feather, a one–time friend of hers, was murdered and is soon butting heads with the FBI agents who threaten to take the case away from her. Acutely aware of her own limitations, Lolo asks Walt to help her find the killer. Walt’s own conscience won’t let him walk away—even as he ignores Cady’s numerous phone calls and the wedding venue is still up in the air.
It’s a tricky situation. Walt has no authority on the reservation and can rely only upon his good reputation to enlist the aid of the locals. Moreover, suspects are plentiful and guilty of assorted crimes, including assault, poaching, theft, drug dealing, and statutory rape—if not murder. When the case’s two prime suspects—Audrey’s husband Clarence Last Bull and the hot–headed Artie Small Song—go missing, Walt turns the reservation upside down trying to find them. Then another body turns up just before Cady is due to arrive in town. This time, Walt knows for certain that a murderer is on the loose.
In As the Crow Flies, Walt Longmire finds himself torn between personal responsibilities and professional duties. Thoughtful and action–packed, Craig Johnson’s latest is sure to please the many readers who are making Walt Longmire the most popular lawman in the West.
ABOUT CRAIG JOHNSON
Craig Johnson lives with his wife, Judy, in Ucross, Wyoming, population twenty–five.
A CONVERSATION WITH CRAIG JOHNSON
Q. What was your initial inspiration for As the Crow Flies?
I spend quite a bit of time up on the Northern Cheyenne and Crow reservations, and they are strange and wonderful places full of some magnificent people. I am concerned with the ongoing problems of veterans in their reintroduction into society and thought “the Rez,” with its high percentage of individuals who serve, would provide a good background. There was also the rising specter of Cady’s wedding looming on the horizon, and I thought it was a good opportunity to get her and Walt and most important, Henry, back on the Rez.
Q. You seem to know quite a lot about Native American history. Was this a subject that interested you even before you became a novelist?
You know the old joke about how you get sixty–four Cherokees together and you’ve got a whole Indian. My grandfather, who was a blacksmith, was Cherokee and even though I look like the poster child for the IRGP (Indian Recessive Gene Pool), I’ve always felt a kinship with the Indian approach to things.
The Indians are a big part of where I live—an important, vital history of the high plains. All the other people have family that date back a couple hundred years in this country; the Indians, on the other hand, have been here for a lot longer. Native history has always been an interest of mine, but it is very often written by white people, so it’s the oral histories, the small stories that come from people’s mouths, not the big, textbook histories, that interest me.
Q. What kind of books do you like to read? Who is your favorite underrated writer at work today?
Brady Udall, the author of The Miracle Life of Edgar Mint and The Lonely Polygamist is a joy to, along with the working–class guys like Daniel Woodrell, Willie Vlautin, Frank Bill, Bruce Machart, and Donald Ray Pollock; their views on things tend to be a little darker than mine, but I enjoy their craftsmanship and their honesty. I don’t quantify my reading, but rather, just look for good writing—that leads me all over the literary terrain and into literary fiction, nonfiction, historical, and even poetry.
Q. Early on in the novel, Walt quotes Lolo some rather startling statistics about the number of police officers who accidentally shoot themselves. Did you make these up for the book, or are accidents really that common?
They’re true; frightening, huh? Like Walt says, don’t get me started on the common populace . . .
Q. Walt fought in the Vietnam War and Lolo served in Iraq. Do you think being a veteran makes a person better suited for a career in law enforcement?
Well, it certainly doesn’t hurt. The training and the experience of being in the military provide a framework of skills that are very difficult for the private sector to compete with—it’s kind of like how most commercial pilots have military experience simply because it would be difficult to log the number of flight hours you’d need without it. In the service, especially if deployed, you’re going to be in extreme situations that you might never encounter in personal/professional life, and those experiences are extremely valuable in law enforcement.
Q. “I was always surprised by the way the Indians referenced me through my deceased wife” (p.105). Do the Cheyenne always refer to the living vis–à–vis their dead?
In most Indian cultures you are your ancestors, so it goes back even further than that, but I think in this instance it’s just that Martha was a reference for Walt into the Indian world—she cut a wide swath before her death and Walt is continually reminded of her.
Q. Is the religious use of peyote still common within the Native American community? Were you drawing upon your own experiences to describe Walt’s inner journey during the peyote ceremony?
Yes, it is still common—and no, I can neither confirm nor deny my experiences concerning the use of peyote . . .
Q. Longmire, an A&E series based on your novels, is premiering in 2012. How involved are you with the production? Can you share any details about the show?
For Longmire, it was an interesting but pretty straightforward path. I’d been advised by friends in Hollywood to not option my work outright to one individual, be it an actor or a producer, but rather to attempt to get a “package deal” with a studio, with producers, a director, and writers already in place.
While making the rounds, an agent from CAA contacted my literary agent in New York and asked her if she had any books that were very strong on character—not just mystery, but any books. My agent pulled a copy of my first novel, The Cold Dish, from the shelf behind her and laid it on the desk between them. The agent from CAA wanted to know if there were any others, and my agent responded, “Not until you read that one.” I was lucky enough to have CAA assemble a team from the Shephard–Robin Company that had been involved with the production of shows like The Closer, Nip/Tuck and a number of others. With the backing of Warner Horizon, they were able to put together a smart script that captured the characters, place, and tone of my novels. It was two years in the process, but it was picked up and ordered to a full season, which is set to premiere on A&E this summer (2012).
I was made an executive creative consultant, and have pretty much been in the loop for the entire process. They flew me in for the three–week filming of the pilot episode, emailed me the scripts to go over, and even sent me DVDs of the auditions for the actors they were considering for the roles. I don’t think my experiences have been the norm.
Q. Despite his earlier plans to retire, Walt has kept his job as sheriff. Has he put the idea of retirement on the back burner for good?
Not really. Walt pretty much established a plan for getting Vic elected by retiring halfway through his next term and abdicating, allowing her the opportunity to sheriff for a few years without having to campaign in a general election. One of the complications, though, is the addition of Santiago Saizarbitoria with his similarities to Walt and his Basque heritage which make him a very viable candidate. So, we’ll see.
Q. Where might Walt be headed to next?
The next novel concerns a case of a runaway boy and a missing woman from a polygamy compound in the southern portion of Absaroka County. It has an undercurrent of King Lear but starts out relatively straightforward; then things get complicated.
DISCUSSION QUESTIONS
(Spoiler Warning: Plot points may be revealed)
As my good friend Henry Standing Bear says, on the Rez, even the roads are red.
I was trying to pay attention, but I kept being distracted by the crows plying the thermals of the high plains sky; it was raining in the distance, but the sun appeared to be overtaking the clouds—a sharp contrast of blue and charcoal that my mother used to say was caused by the devil beating his wife.
“She must’ve stolen the cash register.”
My attention was forced back inside and under cover, and I twisted the ring on my pinkie. My wife, Martha, had given it back to me before she died so that I could give it to Cady whenever she got married.
I looked up—the negotiations weren’t going well. It would appear that Dull Knife College had suddenly scheduled a Cheyenne language immersion class at Crazy Head Springs on the day of the wedding. We had reserved the spot well in advance, but the vagaries of the tribal council were well known and now we were floundering. The old Indian across from me nodded his head in all seriousness. I was negotiating with the chief of the Northern Cheyenne nation, and he was one tough customer.
“That librarian over at the college is mean. I don’t like to mess with her; she’s got that Indian Alzheimer’s. Um hmm, yes, it is so.”
I trailed my eyes from Lonnie Little Bird to the rain-slick surface of the asphalt—Lame Deer’s main street being washed clean of all our sins. “What’s that mean, Lonnie?”
“That’s where you forget everything but the grudges.”
I smiled in spite of myself and took a deep breath, slowly letting the air out to calm my nerves, as I continued to twirl the ring on my finger. “Cady’s really got her heart set on Crazy Head
Springs, Lonnie, and it’s way too late to change the date from the end of July.”
He glanced out the window, his dark eyes following my gray ones. “Maybe you should go talk to that librarian over at the college. You’re a large man—she’ll listen to you. You could show her your gun.” He glanced down at the red and black chief’s blanket that covered his wheelchair. “She don’t pay no attention to an old, legless Indian.”
Henry Standing Bear, my daughter’s wedding planner, who had made the arrangements that were now being rapidly unraveled, sipped his coffee and quietly listened.
“But you’re the chief, Lonnie.”
“Oh, you know that don’t mean much unless somebody wants a government contract for beef or needs a ribbon cut.”
Up until this year, Lonnie’s official contribution to the tribal government had been limited to falling asleep in council. A month ago, when the previous tribal leader had been found guilty of siphoning off money to a private account belonging to his daughter, an emergency meeting had been held; since Lonnie had again fallen asleep, and therefore was unable to defend himself, he was unanimously voted in as the new chief.
“She’s in charge of all the books over there and she’s full blood—that’s pretty much the worst of both worlds.”
US
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| Dimensions | 0.6200 × 5.0500 × 7.6700 in |
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