And Be a Villain

Description

Madeline Fraser, radio talk show host extraordinaire, had a natural dread of dead air. So when one of her on-air guests signed off at the mike after drinking a glass of a sponsor’s beverage, it was a broadcaster’s nightmare come true. Enter Nero Wolfe. He agrees to take the case, with his sizable fee contingent on his solving the murder. But to Wolfe’s surprise, everyone connected to the case now lies in unison about it. And as the portly detective soon discovers, the secret worth lying about only hides another worth killing for.
 
Introduction by Maan Meyers
 
“It is always a treat to read a Nero Wolfe mystery. The man has entered our folklore.”—The New York Times Book Review
 
A grand master of the form, Rex Stout is one of America’s greatest mystery writers, and his literary creation Nero Wolfe is one of the greatest fictional detectives of all time. Together, Stout and Wolfe have entertained—and puzzled—millions of mystery fans around the world. Now, with his perambulatory man-about-town, Archie Goodwin, the arrogant, gourmandizing, sedentary sleuth is back in the original seventy-three cases of crime and detection written by the inimitable master himself, Rex Stout.“It is always a treat to read a Nero Wolfe mystery. The man has entered our folklore.”—The New York Times Book ReviewRex Stout (1886–1975) wrote dozens of short stories, novellas, and full-length mystery novels, most featuring his two indelible characters, the peerless detective Nero Wolfe and his handy sidekick, Archie Goodwin.Chapter 1
 
For the third time I went over the final additions and subtractions on the first page of Form 1040, to make good and sure. Then I swiveled my chair to face Nero Wolfe, who was seated behind his desk to the right of mine reading a book of poems by a guy named Van Doren, Mark Van Doren. So I thought I might as well use a poetry word.
 
“It’s bleak,” I said.
 
There was no sign that he heard.
 
“Bleak,” I repeated. “If it means what I think it does. Bleak!”
 
His eyes didn’t lift from the page, but he murmured, “What’s bleak?”
 
“Figures.” I leaned to slide the Form 1040 across the waxed grain of his desk. “This is March thirteenth. Four thousand three hundred and twelve dollars and sixty-eight cents, in addition to the four quarterly installments already paid. Then we have to send in 1040-ES for 1948, and a check for ten thousand bucks goes with it.” I clasped my fingers at the back of my head and asked grimly, “Bleak or not?”
 
He asked what the bank balance was and I told him. “Of course,” I conceded, “that will take care of the two wallops from our rich uncle just mentioned, also a loaf of bread and a sliver of shad roe, but weeks pass and bills arrive, not to be so crude as to speak of paying Fritz and Theodore and me.”
 
Wolfe had put down the poetry and was scowling at the Form 1040, pretending he could add. I raised my voice:
 
“But you own this house and furniture, except the chair and other items in my room which I bought myself, and you’re the boss and you know best. Sure. That electric company bird would have been good for at least a grand over and above expenses on his forgery problem, but you couldn’t be bothered. Mrs. What’s-her-name would have paid twice that, plenty, for the lowdown on that so-called musician, but you were too busy reading. That lawyer by the name of Clifford was in a bad hole and had to buy help, but he had dandruff. That actress and her gentleman protector—”
 
“Archie. Shut up.”
 
“Yes, sir. Also what do you do? You come down from your beautiful orchids day before yesterday and breeze in here and tell me merrily to draw another man-size check for that World Government outfit. When I meekly mention that the science of bookkeeping has two main branches, first addition, and second subtraction—”
 
“Leave the room!”
 
I snarled in his direction, swiveled back to my desk position, got the typewriter in place, inserted paper with carbon, and started to tap out, from my work sheet, Schedule G for line 6 of Schedule C. Time passed and I went on with the job, now and then darting a glance to the right to see if he had had the brass to resume on the book. He hadn’t. He was leaning back in his chair, which was big enough for two but not two of him, motionless, with his eyes closed. The tempest was raging. I had a private grin and went on with my work. Somewhat later, when I was finishing Schedule F for line 16 of Schedule C, a growl came from him:
 
“Archie.”
 
“Yes, sir.” I swiveled.
 
“A man condemning the income tax because of the annoyance it gives him or the expense it puts him to is merely a dog baring its teeth, and he forfeits the privileges of civilized discourse. But it is permissible to criticize it on other and impersonal grounds. A government, like an individual, spends money for any or all of three reasons: because it needs to, because it wants to, or simply because it has it to spend. The last is much the shabbiest. It is arguable, if not manifest, that a substantial proportion of this great spring flood of billions pouring into the Treasury will in effect get spent for that last shabby reason.”
 
“Yeah. So we deduct something? How do I word it?”
 
Wolfe half opened his eyes. “You are sure of your figures?”
 
“Only too sure.”
 
“Did you cheat much?”
 
“Average. Nothing indecent.”
 
“I have to pay the amounts you named?”
 
“Either that or forfeit some privileges.”
 
“Very well.” Wolfe sighed clear down, sat a minute, and straightened in his chair. “Confound it. There was a time when a thousand dinars a year was ample for me. Get Mr. Richards of the Federal Broadcasting Company.”
 
I frowned at him, trying to guess; then, because I knew he was using up a lot of energy sitting up straight, I gave up, found the number in the book, dialed, and, by using Wolfe’s name, got through to Richards three minutes under par for a vice-president. Wolfe took his phone, exchanged greetings, and went on:
 
“In my office two years ago, Mr. Richards, when you handed me a check, you said that you felt you were still in my debt—in spite of the size of the check. So I’m presuming to ask a favor of you. I want some confidential information. What amount of money is involved, weekly let us say, in the radio program of Miss Madeline Fraser?”
 
“Oh.” There was a pause. Richards’s voice had been friendly and even warm. Now it backed off a little: “How did you get connected with that?”
 
“I’m not connected with it, not in any way. But I would appreciate the information—confidentially. Is it too much for me?”
 
“It’s an extremely unfortunate situation, for Miss Fraser, for the network, for the sponsors—everyone concerned. You wouldn’t care to tell me why you’re interested?”
 
“I’d rather not.” Wolfe was brusque. “I’m sorry I bothered you—”
 
“You’re not bothering me, or if you are you’re welcome. The information you want isn’t published, but everyone in radio knows it. Everyone in radio knows everything. Exactly what do you want?”
 
“The total sum involved.”
 
“Well … let’s see … counting air time, it’s on nearly two hundred stations … production, talent, scripts, everything … roughly, thirty thousand dollars a week.”
 
“Nonsense,” Wolfe said curtly.
 
“Why nonsense?”
 
“It’s monstrous. That’s over a million and a half a year.”
 
“No, around a million and a quarter, on account of the summer vacation.”
 
“Even so. I suppose Miss Fraser gets a material segment of it?”
 
“Quite material. Everyone knows that too.
 
Her take is around five thousand a week, but the way she splits it with her manager, Miss Koppel, is one thing everyone doesn’t know—at least I don’t.” Richards’s voice had warmed up again. “You know, Mr. Wolfe, if you felt like doing me a little favor right back you could tell me confidentially what you want with this.”
 
But all he got from Wolfe was thanks, and he was gentleman enough to take them without insisting on the return favor. After Wolfe had pushed the phone away he remarked to me:
 
“Good heavens. Twelve hundred thousand dollars!”
 
I, feeling better because it was obvious what he was up to, grinned at him. “Yes, sir. You would go over big on the air. You could read poetry. By the way, if you want to hear her earn her segment, she’s on every Tuesday and Friday morning from eleven to twelve. You’d get pointers. Was that your idea?”
 
“No.” He was gruff. “My idea is to land a job I know how to do. Take your notebook. These instructions will be a little complicated on account of the contingencies to be provided for.”
 
I got my notebook from a drawer.
 US

Additional information