A Piece of Mine

Description

The extraordinary debut short story collection from the award-winning author of Family and Life is Short But Wide.

“In its strong folk flavor, Cooper’s work reminds us of Langston Hughes and Zora Neale Hurston … It is a delight to read.” —Alice Walker, Pulitzer Prize winner and bestselling author

“The label ‘short’ story is a woefully inadequate description of these intensely, explicitly moral tales. ‘Parable’ is more appropriate. Cooper’s stories are rich in wisdom and insight.” —Belles Lettres“In its strong folk flavor, Cooper’s work reminds us of Langston Hughes and Zora Neale Hurston…It is a delight to read.”
–Alice Walker

“The label ‘short’ story is a woefully inadequate description of these intensely, explicitly moral tales. ‘Parable’ is more appropriate. Cooper’s stories are rich in wisdom and insight.”
–Belles Lettres

“J. California Cooper is indeed an extraordinary writer…She has the rare quality of a natural storyteller, and her work must carry the highest recommendation.  Definitely a book that’s worth reading.”
–African Concord (Zimbabwe)

J. California Cooper is the author of four novels and six collections of stories. She was honored as Black Playwright of the Year, and her work received the American Book Award, the James Baldwin Writing Award, and the Literary Lion Award from the American Library Association. She died in 2014.

In her acclaimed novels and short stories, J. California Cooper portrays the lives of African Americans, bringing to light the impact of history, social and economic hardship, and enduring cultural strengths on the experiences of individuals and families. The questions, discussion topics, suggested reading list, and author biography that follow are designed to enhance your group’s discussion of her works, which range across time and place but share the passion, humor, and wisdom that mark J. California Cooper as one of the most original and engaging storytellers of our time.

1. Most of Cooper’s stories focus on the challenges that beset women living in desperate circumstances. How does she give these stories a universal resonance, making them appealing to a variety of readers?

2. The search for love is a common theme in the stories. In addition to the romantic relationships between men and women, what other forms of love does Cooper explore?

3. To what extent are Cooper’s protagonists role models? Do you think that the stories are meant to convey certain moral or ethical values?

4. In what ways do the stories in The Future Has a Past differ from those in the earlier books? Do the problems–and the dreams–of the characters reflect changes in our society? Why or why not?

5. What do Cooper’s novels share with other books, both fiction and nonfiction, that you have read about the Civil War period? Do her descriptions of the relationships between African Americans and whites before and immediately following the war differ from your previous impressions or beliefs? In what ways does Cooper challenge the traditional depiction of the boundaries between slave and master, black and white? Which characters or relationships do you find particularly surprising? Are the white characters as fully developed as the African Americans are?

6. Cooper touches on a wide range of social, economic, and political issues in her writing, including the historical divisions between races and classes; interracial relationships; the significance of complexion in society in general and within the African American community specifically; and the importance of education. What techniques does she use to incorporate these subjects without disrupting the flow of the stories? In what ways can fiction be more effective than nonfiction in revealing the forces that shape our world?

7. In describing Cooper’s writing, Alice Walker said, "Her style is deceptively simple and direct and the vale of tears in which her characters reside is never so deep that a rich chuckle at a foolish person’s foolishness cannot be heard." How do these traits mirror classic forms of storytelling, from myths and Biblical parables to the folk stories passed down through oral traditions? Why do you think Cooper may have chosen to use these timeless techniques to tell her stories?

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