A Hero of Our Time

A Hero of Our Time

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SKU: 9780143105633

Description

A brilliant new translation of a perennial favorite of Russian literature
 
The first major Russian novel, A Hero of Our Time was both lauded and reviled upon publication. Its dissipated hero, twenty-five-year-old Pechorin, is a beautiful and magnetic but nihilistic young army officer, bored by life and indifferent to his many sexual conquests. Chronicling his unforgettable adventures in the Caucasus involving brigands, smugglers, soldiers, rivals, and lovers, this classic tale of alienation influenced Tolstoy, Dostoyevsky, and Chekhov in Lermontov’s own century, and finds its modern-day counterparts in Anthony Burgess’s A Clockwork Orange, the novels of Chuck Palahniuk, and the films and plays of Neil LaBute.”Natasha Randall’s English, in her new translation, has exactly the right degree of loose velocity. . . . (Nabokov’s version, the best-known older translation, is a bit more demure than Randall’s, less savage.)” —James Wood, London Review of Books 

“[A] smart, spirited new translation.” —The Boston Globe 

“One of the most vivid and persuasive portraits of the male ego ever put down on paper.” —Neil LaBute, from the ForewordMikhail Lermontov (1814-1841) made several journeys to the Caucasus before entering St, Petersburg Guards’ school, where he began writing poetry and autobiographical dramas in prose. Influenced by Byron, he is renowned as Russia’s one true Romantic poet. Lermontov greatly influenced Dostoyevsky and Blok; while Tolstoy and Chekhov regarded his prose as a model.

Natasha Randall (translator/introducer) has published translations of Yevgeny Zamyatin’s We (shortlisted for the 2008 Oxford-Weidenfeld Translation Prize) and Osip Mandelstam’s poetry as well as the work of contemporary writers Arkady Dragomoshchenko, Alexander Skidan, and Olga Zondberg. A frequent contributor to the Los Angeles Times, she lives in London.
 
Neil LaBute (foreword) is a film director, screenwriter and playwright. He is best known for his play and film In the Company of Men and his films Possession, The Shape of Things, and The Wicker Man.

INTRODUCTION

Passing through the snow-capped Caucasus Mountains in the 1830s, a nameless traveler seeks to pass the time by encouraging his recent acquaintance, a middle-aged army officer named Maxim Maximych, to recollect some anecdotes from his military service. Without realizing it, the traveler is about to become immersed in the haunting, ironic life story of the officer’s former comrade-in-arms, a charismatic but strangely aloof young man named Grigory Alexandrovich Pechorin. Seen first through the memories of the aging officer, then briefly through the narrator’s own eyes, and finally at length through selections from his own candid and introspective journals, Pechorin dominates the action and outlook of the groundbreaking first and only novel of Mikhail Lermontov, A Hero of Our Time.

Inspired by the writings of Lord Byron and Lermontov’s great countryman Alexander Pushkin, A Hero of Our Time stands as the first significant prose novel in Russian literature. In its protagonist, Pechorin, Lermontov creates an exemplar of brooding, alienated youth whose depiction many writers have striven to imitate but few have ever surpassed. Guided by Lermontov’s frank narration, the reader follows Pechorin through a series of dramatic adventures, in which gamblers, smugglers, Circassian guerrillas, and pistol-wielding duelists all have their parts to play. Page by page, with unerring psychological discernment, Lermontov reveals his main character as a masterful manipulator of both men and women. He shows us a man whose love is born from narcissism, whose malice arises from boredom and disaffection, and whose deepest thoughts arise from a sincere desire for self-knowledge—a knowledge that perpetually evades him.

With callous indifference, Pechorin pursues pleasure and excitement at the grievous expense of others, as his exploits shatter the lives of a series of fascinating characters: Bela, the innocent Circassian maiden whom Pechorin buys for the price of a horse; Grushnitsky, the lovestruck cadet whose romantic hopes are pinned to Princess Mary Ligovsky, the frail, beautiful young woman whose affections Pechorin both invites and scorns. Astonished by his own destructive power, Pechorin tries to comprehend both his motivations and his destiny, to no avail. In his sweeping nihilism, Pechorin both fascinates and repels. He is both a despicable rogue and, in the words of Maxim Maximych, “a wonderful fellow . . . only a little strange” (p. 11).

Although A Hero of Our Time plainly recalls the Byronic antiheroes of the earlier part of the nineteenth century, it also lent inspiration to the masterpieces of Dostoevsky and Tolstoy and brilliantly anticipated the existential fiction of the twentieth century. A bitter satire of its own age as well as a timeless reflection on the very possibility of heroism in an absurd, dislocated universe, A Hero of Our Time is a truly indispensable work in the literature of Russia and the modern world.

 

ABOUT MIKHAIL LERMONTOV

Born in 1814, Mikhail Yurievich Lermontov lost his mother to tuberculosis when he was not yet three years old and was raised principally on the country estate of his wealthy maternal grandmother. Well trained as a singer, pianist, and violinist, he became fascinated at an early age with the rhythms and melodies of language and showed early promise as a poet. A proficient translator of both English and German, he absorbed important creative influences from the works of Byron and Schiller, as well as those of Pushkin. After two years at Moscow University, Lermontov enrolled in St. Petersburg’s School of Cavalry Cadets, from which he emerged at the age of twenty with a rank equivalent to that of second lieutenant. After a period of dissipation and creative inactivity, Lermontov burst onto the Russian literary scene in 1837 with “Death of a Poet,” a poem written in response to the death of Pushkin. Following a political controversy, Lermontov was assigned to a regiment in the Caucasus, where he conceived the inspiration for his best-remembered work, A Hero of Our Time. Following another two-year sojourn in St. Petersburg, during which he wrote A Hero of Our Time, Lermontov was again exiled to the Caucasus in 1840. The following year, a few months shy of his twenty-seventh birthday, Lermontov was challenged to a duel by a fellow officer, Nikolay Martynov. Declaring that he had no desire “to fire at a fool,” Lermontov made no attempt to shoot. Martynov shot him through the heart.

 

DISCUSSION QUESTIONS

  • The five stories that comprise A Hero of Our Time are presented out of chronological order, the proper order being “Taman,” “Princess Mary,” “The Fatalist,” “Bela,” and “Maxim Maximych.” How does the out of order narration affect Lermontov’s storytelling? How, if at all, does Pechorin’s personality change and develop over the course of these stories?
  • A complexly narrated book, A Hero of Our Time is told from three different perspectives: those of Maximych, Pechorin himself, and the unnamed traveler. What is different about these three narrative voices? Is each narrator able to observe things that the others cannot? How does the reader benefit from being given both interior and exterior views of Pechorin?
  • Seldom has a novel derived more ironic significance from its title than A Hero of Our Time. How does Lermontov use his novel as an ironic critique both of his “time” and of the concept of the hero?
  • A Hero of Our Time takes place on an untamed frontier, where an army tries to impose order on what they regard as a lawless, uncivilized native population. In what other respects might a modern reader find the story reminiscent of an American western?
  • Lermontov describes with great lyricism the wild but beautiful country in which his novel takes place. What relation, if any, do you perceive between the novel’s setting and the personalities and actions of its characters?
  • Nineteenth-century Russian literature is rife with protagonists who might be described as antiheroes, ranging from Pushkin’s Eugene Onegin to Dostoevsky’s Underground Man and Rodion Raskolnikov. Pechorin is another classic example. Why do you think such characters were so appealing to the imaginations of the Russian authors of this era?
  • Although Pechorin treats his male friends with disregard, people like Maxim Maximych eagerly seek his company. Although he is scornful of women, both Vera and Princess Mary sincerely love him. How can such a cold, acerbic young man inspire so much affection?
  • At various points in his diary, Pechorin attempts to understand and explain the paradoxes and perversities of his character. How well does he actually understand himself? On what points does he show awareness, and on what points is he relatively blind? What stands in the way of his achieving a fuller self-knowledge?
  • Is it possible to read the story “Bela” as an ironic critique of western imperialism? If so, what depictions of injustice fuel this critique?
  • What role does the brief story “Taman” play in the structure of A Hero of Our Time? What, if anything, does it show us about Pechorin’s character that the other stories do not?
  • In the story “Princess Mary,” what role is played by Pechorin’s former lover Vera? Does she represent a personification of conscience? Is she an emblem of regret for a road not taken? How would the tale be different if she had been excluded from it?
  • Pechorin often compares life to a playing of parts. After shooting Grushnitsky, he even exclaims “É finita la commedia!” (“The comedy is finished!”) How does Pechorin’s view of life as an imitation of art influence his psychology and his conduct?
  • Lermontov chooses not to tell us anything about Pechorin’s parentage or early life. Suggest some reasons for this choice.
  • Both in his duel with Grushnitsky and elsewhere, Pechorin simultaneously displays both courage and cowardice. In what ways is he brave? In what sense is he cowardly? On balance, which is he?
  • What are Pechorin’s good qualities? Does his possession of these qualities make him, paradoxically, more of a villain? Explain.
  • What appears to be Lermontov’s view of women? Although he describes the plights of Bela and Princess Mary with considerable pathos, how successful is he in constructing them as characters? When, if ever, do the women in the novel rise above the status of mere victimhood?
  • What conclusions does the story “The Fatalist” suggest regarding predestination? What is Pechorin’s attitude toward fate, and how does it factor into the other parts of his character?
  • What attitudes does A Hero of Our Time express with regard to the practice of dueling? In light of these attitudes, how surprising do you find it that Lermontov himself was killed in a duel soon after A Hero of Our Time was published?
  • I

    BELA

    I was traveling post from Tiflis. My cart’s entire load consisted of one small valise, which was half filled with travel notes about Georgia. Of these, the greater part, fortunately for you, have been lost, and the valise containing my remaining possessions, fortunately for me, is intact.

    The sun was already beginning to drop behind the snowy ridge when I rode into the Koyshaur Valley. The driver, an Ossetian, drove the horses tirelessly in order to make it up Koyshaur Mountain by nightfall, singing songs at the top of his voice. A glorious spot, this valley! On every side of the mountain are impregnable reddish cliffs hung with green ivy and crowned with clusters of plane trees, yellow precipices scoured by running water, and there, high up, a golden fringe of snows, while below, the Aragva, having embraced another nameless stream gushing noisily from a black, mist-filled gorge, has stretched out like a silver thread and shimmers like a snake with scales.

    When we reached the foot of Koyshaur, we stopped at an inn. Here, crowded noisily around, were a score of Georgians and mountaineers; close by, a caravan of camels had halted for the night. I was obliged to hire oxen to drag my cart up this accursed mountain because it was already autumn and the roads were icy–and this mountain was nearly two versts long.

    There was nothing to be done for it: I hired six oxen and several Ossetians. One of them hoisted my valise on his shoulders, the others began helping the oxen with their shouts–and nothing more.

    Behind my cart, a team of four oxen was pulling another with the greatest ease, despite the fact that it was piled high, to the very top. This circumstance amazed me. Walking behind the cart was its owner, who was smoking a small Kabardian pipe set in silver. He was wearing an officer’s overcoat without epaulets and a shaggy Circassian hat. He seemed to be about fifty; his swarthy complexion showed that he was long familiar with the Caucasian sun, and his prematurely gray whiskers were not in keeping with his firm step and robust countenance. I walked over to him and bowed in greeting; he returned my bow without speaking and released a huge puff of smoke.

    "You and I are fellow travelers, it seems."

    He again bowed, without speaking.

    "You must be on your way to Stavropol."

    "Exactly so…with government property."

    "Tell me, please, why is it that four oxen are pulling your heavy cart easily, while six beasts can scarcely budge my empty one, even with the help of these Ossetians?"

    He smiled slyly and gave me a significant look.

    "You doubtless have not been in the Caucasus long."

    "About a year," I replied.

    He smiled a second time.

    "But what is the matter?"

    "What’s the matter! Horrible brutes, these Asiatics! You think they’re helping by shouting? The devil only knows what they’re shouting! The oxen understand them; you could harness up a score of them and still, if they shouted in their way, the oxen would never budge. Horrible swindlers! But what can you expect from them?… They enjoy fleecing the travelers who pass through. The rogues have been spoiled! You’ll see, they’re going to get a tip from you as well. Oh, I know them, they can’t fool me."

    "Have you served here long?"

    "Yes, I served here under Alexei Petrovich," [Ermolov] he replied, assuming a dignified air. "When he arrived at the frontier, I was a second lieutenant," he added, "and under him I received two promotions for actions against the mountaineers."

    "And now you are…?"

    "Now I’m counted with the Third Frontier Battalion. And you, may I be so bold as to ask?"

    I told him.

    At this the conversation ended, and we continued to walk in silence, side by side. At the mountain’s summit we found snow. The sun set and night followed day without interval, as usually happens in the South; however, thanks to the reflection off the snow, we could easily distinguish the road, which was still going uphill, although no longer as steeply. I ordered my valise placed on the cart and the oxen exchanged for horses, and for the last time I looked back down on the valley–but a thick mist, which surged in waves from the gorges, had covered it completely, and not a single sound reached our hearing from there. The Ossetians had gathered volubly around me and were demanding tips; but the staff captain shouted at them so menacingly that they scattered instantly.

    "You see, what a nation," he said. "They can’t say ‘bread’ in Russian, but they’ve learned ‘Officer, give me a tip!’ To my mind, the Tatars are better than this; at least they don’t drink."

    It was another verst or so to the station. All around it was quiet, so quiet that from the buzzing of a gnat you could follow its flight. On the left lay a deep black gorge; and beyond it and in front of us dark blue mountain peaks, furrowed with creases and covered in layers of snow, were outlined against the pale skyline, which was still clinging to the sunset’s last reflection. In the darkening sky, stars began to flicker, and oddly, they seemed much higher than in our North. On either side of the road jutted bare black rocks; here and there I caught glimpses of shrubs under the snow, but not a single dry leaf rustled, and it was cheering to hear, amid this lifeless dream of nature, the snorting of the weary post troika and the uneven tinkle of the little Russian bell.

    "Tomorrow will be glorious weather," I said. The captain said not a word in reply but pointed to the tall mountain rising directly across from us.

    "What is that?" I asked.

    "Mount Gud."

    "Well and what of it?"

    "Look at how it’s smoking."

    And indeed, Mount Gud was smoking; down its sides slid light streaks of clouds, and on its peak lay a black cloud, so black it looked like a blot on the dark sky.

    We had already made out the post station, as well as the roofs of the huts surrounding it, and before us twinkled welcoming lights, while we smelled the damp, cold wind, heard the gorge’s rumble, and felt the fine rain. Scarcely had I managed to throw my felt cloak on when the snow began coming down. I looked with awe at the captain.

    "We’re going to have to bed down here," he said with annoyance. "In a blizzard like this you aren’t going to cross the mountains. What do you say? Have there been avalanches on the Mountain of the Cross?" he asked the driver.

    "No, there haven’t, sir," replied the Ossetian driver, "but there’s a lot hanging, a lot."

    For lack of a room at the station for those passing through, we were given lodging in a smoky hut. I invited my companion to have a glass of tea with me, for I had brought along an iron teakettle–my sole indulgence on my travels through the Caucasus.

    One side of the hut was built into a cliff; three slippery, wet steps led to its door. Groping my way in, I bumped into a cow (the cowshed with these people takes the place of the servant’s room). I didn’t know where to turn: sheep were bleating here; a dog was growling there. Fortunately, a dim light glowed at one side and helped me to find another doorlike opening. Here a fairly entertaining picture was revealed: the large hut, whose roof rested on two smoke-blackened posts, was full of people. In the middle flickered a fire that had been laid on the bare earth, and the smoke, pushed back by the wind from the opening in the roof, was spread around in such a thick shroud that for a long time I could not get my bearings. By the fire sat two old women, numerous children, and one lean Georgian, all in rags. We had no choice, so we took shelter by the fire and lit our pipes, and soon the kettle began to hiss sociably.

    "A pathetic lot!" I said to the captain, indicating our filthy hosts, who were looking at us silently, in a kind of stupor.

    "A very stupid nation," he replied. "Would you believe it? They don’t know how to do anything, they’re incapable of any kind of education! At least our Kabardians or Chechens, brigands though they are, and paupers, are daring devils, whereas these haven’t even a mind for weaponry. You won’t see a proper dagger on a one of them. Ossetians for certain!"

    "And were you in Chechnya very long?"

    "Yes, I was stationed ten years at a fort there with my company, near Stone Ford. Do you know it?"

    "I’ve heard tell."

    "You know, friend, we got good and tired of these cutthroats; nowadays, thank heavens, it’s quieted down, but it used to be, you’d go a hundred paces beyond the rampart, and some raggedy devil would be sitting somewhere keeping watch: a moment’s heedlessness and watch out–it’s either a lasso around your neck or a bullet in the back of the head. Brave lads they are!"

    "You must have had your share of adventures," I said, prompted by curiosity.

    "That I have!"

    At this he began to finger his left mustache, hung his head, and became pensive. I had a terrible urge to drag some little tale out of him–a desire characteristic of all traveling, note-taking men. Meanwhile, the tea was brewed; I took two field cups out of my valise, poured one, and placed it in front of him. He took a sip and said, as if to himself, "Yes, that I have!" This exclamation gave me great hopes. I know, the old Caucasians, they love to talk, to tell a story; so rarely do they get the chance. A man might be stationed a good five years somewhere in the back of beyond with his company, and for five whole years no one would say how do you do (because a sergeant major says good day). But there was plenty to talk about: surrounded by a savage, curious nation, in danger every day, there can be marvelous incidents, and you can’t help but regret that our people write down so little.

    "Wouldn’t you like a drop of rum?" I said to my companion. "I have white from Tiflis; it’s cold now."

    "No, sir, I thank you, but I don’t drink."

    "Is that so?"

    "Yes, it is. I made myself an oath. Back when I was a second lieutenant, once, you know, we’d had a drop too much among ourselves, and that night they gave the alarm; so we went out on parade tipsy, and did we ever catch it when Alexei Petrovich found out: God forbid how angry he got! Nearly turned us over for trial. One thing’s for certain, spend a whole year when you don’t see a soul, and if you’ve got vodka there, too–you’re a goner."

    Hearing this, I almost lost hope.

    "At least the Circassians, you see," he continued, "when they drink too much young wine at a wedding or a funeral, that’s when the knives come out. Once I had a narrow escape, and I was the guest of a friendly prince."

    "How did it happen?"

    "Well"–he filled his pipe, drew on it, and began his tale–"you see, it was like this. I was stationed at the time in a fort beyond the Terek with my company–this is nearly five years hence. One day, in the autumn, a convoy arrived with supplies, and traveling with the convoy was an officer, a young man of about twenty-five. He reported to me in full uniform and announced he’d been ordered to remain with me at the fort. He was very thin and very fair, and he was wearing a uniform so new I guessed right away he was only recently with us in the Caucasus. ‘I suppose,’ I asked him, ‘you were transferred here from Russia?’ ‘Precisely so, sir,’ he answered. I clasped his hand and said, ‘Very pleased to meet you, very pleased. You’ll find it a little dull, but I think you and I can get along like friends. And please, just call me Maxim Maximich, and please–what’s the point of this full uniform? Always wear your uniform cap when you come to see me, that will do.’ He was taken to his quarters, and he got settled at the fort."

    "What was his name?" I asked Maxim Maximich.

    "His name…was Grigory Alexandrovich Pechorin. Splendid fellow he was, I’ll be so bold as to assure you; only a little odd. For instance, in the rain and cold, an entire day hunting, you see, anyone would get chilled and tired–but he was just fine. But another time he’d be sitting in his room, there’d be a whiff of wind, and he’d assure me he was going to catch cold; a shutter would rattle and he’d tremble and turn pale; but as I’m a witness he went out for wild boar all alone; there’d be times you couldn’t get a word out of him for hours on end, and other times he’d start telling stories so that your belly was like to burst from laughter. Yes indeed, he had great eccentricities, and he was probably a rich man. He had so many different precious trinkets!"

    "Did he stay with you long?" I asked again.

    "Oh, nearly a year. And that’s a year I’ll surely remember; he caused me a lot of trouble, but that’s not what I’ll remember him for! You see, there are, truly, people the likes of whom are fated to have all kinds of unusual things happen to them."

    "Unusual?" I exclaimed with a look of curiosity as I poured him some more tea.

    "Look, I’ll tell you a story. About six versts from the fort lived this one friendly prince. His precious son, a boy of about fifteen, fell into the habit of riding over to see us. Every day he might come for one thing or another; and Grigory Alexandrovich and I certainly indulged him. What a daredevil he was, clever at anything: picking up a hat at a full gallop, firing a rifle. One thing about him wasn’t so good: he had a terrible weakness for money. Once, for a joke, Grigory Alexandrovich swore he’d give him a gold piece if he’d steal the best goat from his father’s herd. And what do you think? The next night he dragged it in by the horn. But sometimes, if we got a notion to tease him, his eyes would get all bloodshot and he’d put his hand right on his dagger. ‘Hey, Azamat, it’ll cost you your head,’ I would tell him. ‘It’ll be yaman for your noggin!’

    "One day the old prince himself came to invite us to a wedding. He was marrying off his oldest daughter, and I was his kunak, so you know we couldn’t refuse him, even if he was a Tatar. We set out. At the village a lot of dogs met us with a loud howling. The women saw us and hid; those whose faces we did manage to see were no beauties. ‘I had a much better opinion of Circassian women,’ Grigory Alexandrovich told me. ‘Just you wait,’ I replied, chuckling. I had something of my own in mind.US

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